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  • Record/Vinyl + Digital Album

    *Morning Mars *opens the dance with a fascinating approach to enjoy music. The album is enriched with Virtual Reality content, immersive sound, a webgame and the tuning of some tracks in 432hz like Verdi did. Go to www.collateralnature.com to find all immersive content.

    *Side A*

    *Morning Mars* is the title track of the album and inspiration fore album cover artwork: giant hands digging the Martian soil. The track carries a clear message which is also the manifesto of Collateral Nature:
    Once our planet is consumed, we are ready to colonize another one (Mars in this case) and repeat the cycle. Morning Mars comes with a Virtual Reality clip.

    *Tre* or three is the ideal set up I always imagined to have on stage for Collateral Nature. Written in one go with a precise bass line in mind, the song is as simple as it is hypnotic. The track supports the evolution of the Rhodes piano and the drums that draw you into the psychedelic soul of the track.

    *Sea of Clouds *represents the dialogue between electronic and jazz as the master creating a dreamy song like laying on your back looking at the clouds on a spring day. The refrain is supported by minimal glitch architectures with deep bass and ambient pads, while the restart with the Wurlitzer piano and double bass complements the Collateral Nature style nicely.

    *Le Noire* is an instrumental funk track commissioned to me for the promotional campaign of an international brand many years ago. It came spontaneously to me to take back the funk vein and rework it in a Collateral Nature key.

    *Heap of Stars:* I had this downtempo environment with trip hop references in mind in which vocal melody creates the perfect symbiosis and starry night matching the lyrics. Listen to believe.

    *Side B*

    *Tyger Tyger, Burning Bright* is inspired by the works of the English poet William Blake. I interpreted the energy of the tiger masterfully described by the English poet. The moog riff forms the backbone of this electro funk piece.

    *Lost Music* talks about the difficulties and the romanticism encountered in the suburbs where youthful energy collides with the reality of a future that has very little to offer.

    *Alice Harris* is dedicated to Alice Harris, the first reporter of modern times (late 19th century). Thanks to the publication of her images in international newspapers of the time, she stopped the brutal violence carried out by the Belgian king in Congo. The song echoes sounds of ambient jazz. The track is produced in 432hz tuning.

    *Way out* has a tight beat, biting chords and a counterpoint bass line as its ingredients. This killer track demands to be listened to in one breath.

    *Breathe! Robot *is an invitation to stop for a moment and breathe deeply, to understand the difference between automaton and being aware. It comes with a WebGL game.


    Nature is collateral when it undergoes a distortion, a deep force in its vital course and is therefore destined to change. I imagined a project that could narrate this metamorphosis by choosing the butterfly, a symbol of fragility and elegance, and an interpreter of this distorted nature.

    Claudio Vittori

    Includes unlimited streaming of Morning Mars via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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      €1 EUR  or more

     

about

*Tre* or three is the ideal set up I always imagined to have on stage for Collateral Nature. Written in one go with a precise bass line in mind, the song is as simple as it is hypnotic. The track supports the evolution of the Rhodes piano and the drums that draw you into the psychedelic soul of the track.

lyrics

Instrumental

credits

from Morning Mars, released July 5, 2022
Drum and percussions: Andrea Varolo
Sound design: Claudio Vittori

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all rights reserved

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about

Collateral Nature Milan, Italy

Liquid harmonies and sound design melted into jazzy vibration.

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